Hammond Music

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Chris Barber’s Jazz Band with the attractive Otillie Patterson on vocals brought the sound of New Orleans to British ancient Jazz buffs within the late fifties and early sixties. This was just the beginning of a wave of recent sounds that culminated in what came to be referred to as the British Blues Boom! On Banjo was the good Lonnie Donegan who became the Godfather of Skiffle a year or two later. All of the first musical melting pots were springboards for the next generation of musicians and at intervals a few years the Music scene was to change forever.

My 1st exposure to the blues was on Barber’s wonderful L.P. New Orleans Joys. I forget all the titles currently however the haunting sounds stirred up strange sensations and led me a few years later to a life long passion for the Blues as I’m certain it did with many young kids at the time.
The year 1962 saw the birth of many Blues gigs in London Clubs, notably the Famous Marquee which made its home in Wardour Street, Soho. The great Alexis Korner was to encourage be a nursery slope for what was to come. Cyril Davies on Harp, Dick Heckstall- Smith on the foremost wailing of saxophones, Mick Jagger (yes that one!) on vocals to call however a few. I suppose that 1st Album recorded live at the Marquee…Alexis Korner’s Blues Incorporated, started the trickle which very rapidly gathered momentum and shortly the Blues was the talking point of all young music heads.

Playing at the Marquee shortly after, in 1963 was the man destined to become the Godfather of British Blues… John Mayall…. John’s famous band, The BluesBreakers went onto fame and fortune as several musicians joined and left in quite a procession over the next number of years. John celebrated his seventieth Birthday a couple of years ago and is enjoying and ever. This offers mislead the notion that life is over at forty and its all downhill from there on. The list of John’s protégées may be a who’s who of the music business; a good proportion of whom are still playing today. John McVie, co-founder of Fleetwood Mac, Mick Fleetwood, Jack Bruce of Cream, Eric “Slowhand” Clapton, Peter Green, Aynsley Dunbar, Mick Taylor and many more.

The band that I believe was the turning purpose at this time was undoubtedly The Yardbirds, whose incredible energy and enthusiasm were absolutely unparalleled on stage. My first exposure to the current Juggernaut was on a Monday morning at college one time when some friends told me regarding this superb band that they’d seen at the Marquee who had a Guitarist that was merely unbelievable. The Year was 1963, the man in query (well he was only 18 years old!) was Eric Clapton.

The Legend was already underway at this stage and I feel Eric was accountable for the massive interest brewing within the Blues in Britain because the Yardbirds became household names on the R n’ B circuit. Several Guitars were sold at now as young bloods tried to emulate Clapton, some with success and several without. Probably one reason for the upsurge in Guitar bands as opposed to wishy washy pop sounds of the time was the discovery of the just about forgotten Gibson Les Paul that produced the sound closest to the Chicago Blues of a decade earlier. Eric’s use of this instrument took the Blues to a brand new height and no-one might escape the flood that was on the way. With the Yardbirds there was a mix of Gibson and Fender guitars in use. Eric initially played a Fender Telecaster with Rhythm Guitarist Chris Dreja using the Gibson 335, however the favorite in years to come notably in ’sixty five and ’sixty six was the Les Paul.

In 1963 one amongst the primary Bluesmen to arrive on this aspect of the Atlantic for a Tour was the legendary Harp player Sonny Boy Williamson who recorded an exquisite live album with the Yardbirds that was not released for several years. The restrained backing {that the} band provided to Sonny Boy showed them to be tight and controlled however Keith Relf the Lead singer and Harpist was a very little place out at having to require a back seat to the Master throughout the gig. Several more Blues legends toured Britain and Europe in the following years which not solely revitalised their own flagging careers but gave the budding white Blues players a chance to be told from the Maestros. These embrace Howling Wolf and also the legendary Son House who had been a up to date of Robert Johnson in the 19 thirties. The author was privileged to determine Son House play in London in 1970 shortly before he died. He was very frail however he certainly might create that National Steel Guitar sing sweetly!

The Album that preceded the Flood was in fact the 1966 rendition by John Mayall entitled simply “John Mayall’s Bluesbreakers with Eric Clapton” recorded on the Decca label .This album marked the first vocal airing by Slowhand and he selected Robert Johnson’s “Rambling on my Mind” as his debut. The interrelating of Mayall’s gutsy Barrelhouse Piano together with Eric’s Les Paul and his tentative vocals, wrote a  piece of Blues History  that day in the studio.  That Album sums up on behalf of me not solely the musicianship involved and the fervour of the music however the very essence of the British interpretation of the Blues. I’ve got listened to this song therefore several times currently since the primary momentous day that it came through the speakers and each time it’s hard to keep the emotions steady.

The Robert Johnson Legacy forms an integral and very important half of the Birth of the Blues in Britain and is responsible for the undoubted vitality of nowadays’s thriving Blues scene on both sides of the Atlantic. There are no Blues Bands past or present who don’t owe a debt to Robert Leroy and his magic. His genius and virtuosity with the bottleneck will live forever!

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If you are an aspiring hip hop artist or already a professional one or you’re just in it for the hobby, you would certainly want to learn how to make beats on your own, right? Well, you can easily learn how to with the help of downloadable software which can teach you and make your make your own beats in a matter of time. It is very user-friendly and it is very intuitive and the nice thing about this software is, you will always think about what to do and not how to do it. You can even convert your masterpieces into high-quality MP3 files so that they can sound awesome.

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