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Soloing over guitar chords is simple when you know the way to use the minor pentatonic scale. Add spice and power to your solo’s with these easy however highly effective techniques.

The common-or-garden minor pentatonic scale is what most guitar players start with when learning to solo. Trouble is, they do not learn to use the scale to it’s best potential.

Here, I am going to show you an easy method to use the pentatonic scale to solo over the 3 most typical guitar chord varieties: Major, minor and dominant seventh chords.

1. Major Chords

A Major chord invariably contains a relative minor chord. The easy approach to find the ‘relative’ minor of any major chord on a guitar is to require the note 3 0.5-steps (3 frets) below the basis note of the foremost chord.

As an example: a C major chord – the foundation note is C. On a guitar, the note 3 frets below a C note is A. Thus, A minor is the relative minor of C major.

Therefore to solo over a C major chord, use the A minor pentatonic scale and you cannot go wrong.

Another example: F major chord – 3 frets below the root of F, you’ll notice D. Thus you employ a D minor pentatonic scale over an F major chord.

Another example: G major chord – 3 frets below the G root note you’ll realize E. So… you use the E minor pentatonic to solo over a G chord.

Now, you will have noticed that I listed C, F and G major chords there. Coincidentally, They’re the 1, four and 5 chords of the ‘KEY’ of C Major. This is applicable to all or any instruments, not simply guitar.

A lot of about this later…

2. Minor Chords

These are easy… simply use the minor pentatonic of what ever the minor chord is. E.g. Use D minor pentatonic for a D minor chord, an E minor pentatonic for an E minor chord, an A minor pentatonic for an A minor Chord.

Currently, did you notice I used D, E and A minor chords as the example? Did you furthermore may notice that these chords are the 2, three and vi chords of the ‘KEY’ of C Major?

A lot of about that later, too…

3. Dominant seventh Chords

You’ve got a number of choices here. However primarily, you’d use the relative minor pentatonic, or the minor pentatonic a tone below the root of the dom7 chord.

As an example, over G7, you’ll use either E minor pent (relative minor), or D min pentatonic.

The reason you’ll use the D minor pentatonic over a G7 chord is as a result of the Dmi chord and G7 chord typically go together in chord progressions. Forcing a Dmi sound over a G7 chord gives a G7sus sound.

4. Thinking From a ‘KEY” Perspective

OK, what we tend to have looked at is that the KEY of C Major. And primarily you’ll use just the A minor pentatonic alone for ALL the chords in C, or you’ll additionally use the D and E minor pentatonics to add some color and a lot of conformity to the chords getting used at the time.

Bear in mind, these principles apply to no matter chord you are enjoying at any time, but will conjointly be applied on a KEY basis,which is a additional encompassing picture.

The Key of C Major has these chords:

C, Dm, Em, F, G7, Am, Bmin7b5.

Ami pent can be used over them all, or just the C and Am chords.

D min pentatonic can be used over the F and Dm chords.

E minor will be used over the Em and G7 chords.

We didn’t mention the seven chord (Bmi7b5) as a result of it isn’t used terribly much. But a sensible selection is the Dm pentatonic. Of course, though, you’ll be able to use either of the 3 pentatonics from the C Major scale – Am, Dm or Em. Attempt them, see that you wish best.

I hope you enjoyed this article. You can notice more info about guitar chords.

The thought of using pentatonics for different chords is a powerful one, do not overlook the cool sounds you’ll be able to produce with such a easy device.

Also, in a very future article, I’ll be discussing ‘Pentatonic Substitution’ where I will show you ways to use substitute and altered pentatonics for even a lot of sound choices.

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